Advice: "Author, tell the editor what youre looking for! Editor, tell the author what you intend to do! If your vocabularies and ideas differ, then dig a little deeper before working together." And give editors brief samples to edit before hiring. The subjectivity of Editing iv, part. In her second experiment, carolyn Haley asked nine independent copyeditors of fiction for their definitions of copyediting. Their responses vary greatly. Editors who offer such a profile help themselves and compatible prospective clients find each other, while reducing the risk of surprises that could negatively affect a project or relationship.
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sample style sheet for fiction (Katharine omoore-Klopf, kok edit) Thinking Fiction: Fiction Editors Resource kit (Part I) (Carolyn Haley, on An American Editor, 6-22-15). Reliable online dictionaries, iim style guides, and grammar/usage guides. Part 2 (7-1-15, software, specialty references, writing craft how-to's, excellent links. The subjectivity of Editing Fiction The subjectivity of Editing Fiction (part 1) (Carolyn Haley, thinking Fiction, An American Editor, 3-28-16). Using exercises split between technical errors (spelling, grammar, punctuation, factual accuracy, and consistency) and debatable errors (aspects of usage, punctuation, and style for which preferences vary carolyn compared edits of fiction by several professional editors. The results "showed a strong correlation between a high number of spelling, punctuation, and consistency errors and a low number of support tools used "commercial software tools designed for editors (e.g., EditTools, editors toolKit, perfectIt ) or built into word (e.g., find/replace, wildcard find/replace, macros).". In this comparison, she learns that editors who comment more often, tend to miss more mechanical errors. The subjectivity of Editing iii (part 3) (Carolyn Haley, thinking Fiction, An American Editor, 3-28-16). Carolyn gave brief editing samples from resume an early draft of an already published novel to seven different editors a good way for authors to select the editor best suited to their work. Catches on technical errors (e.g., misspellings) and suggested edits to "improve style" varied greatly.
"Part of my rationale for not prereading a manuscript is to be able to see it as a regular reader would: start on page one and read to the end." Thinking Fiction: The novel-Editing roadmap ii (Carolyn Haley, an American Editor, 5-22-17) For those mechanical. Thinking Fiction: The novel-Editing roadmap iii (Carolyn Haley, an American Editor, 9-11-17) Indie-author manuscripts do not come to her previously groomed and styled in-house, as manuscripts from publishers. This round of editing is to format and style the manuscript in standard ways that indie authors seldom know how to do right assignment (so this piece is, in a way, a checklist for indie authors who want to get things as right on their own. Thinking Fiction: The novel-Editing roadmap iv (Carolyn Haley, an American Editor, 10-9-17) Stage 3: Editing. how to never forget youve switched off Track Changes! (louise harnby, proofreader's Parlour, 11-12-16) VisibleTrackOff4 is an alternative tc on/off switch. You run this macro instead of using Words tc button.
Thinking Fiction: An overview of the world of Fiction Copyediting (Amy Schneider, on An American Editor, 9-8-14) A checklist of what you will and won't do as a good fiction copyeditor. See her entire American Editor series on fiction editing: - thinking Fiction: The mind-Set of the fiction Copyeditor (An American Editor, 10-6-14) - thinking Fiction: The Style Sheets — part I: General Style (Amy Schneider, on An American Editor, 1-19-15) - thinking Fiction: The Style. the Style Sheets — part iii: Locations (3-11-15) "If the locations are meant to represent real locations, its your job to make sure they are accurate. If they are fictional (or fictionalized make sure they stay true to themselves within that fictional world." - the Style Sheets — part IV: Timeline (4-13-15) "The timeline must be kept consistent with the fictional world of the story, and sometimes also with actual events. Ive found that authors often have difficulty maintaining a consistent timeline." - thinking Fiction: The novel-Editing roadmap I (Carolyn Haley, an American Editor, 5-15-17) to accommodate the tendency for an editor to "stop seeing individual words and punctuation" on a second read-through, and because self-published. The authors original is never touched again, and always available in the event of a document or computer crash." "Preflight" is the first of her four-stage work routine — preflight, formatting, editing, and cleanup. Preflights purpose is to set up the manuscript for reading: tidying up errors and inconsistencies, minimizing the number of elements your eye needs to attend to during editing.
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25 Things to look for in a romance Editor (Cate hogan, fiction editor and romance writer, july 2017) copyediting and the power of Word Choices: An Interview with Sara Brady on copyediting romance novels (Smart Podcast, write Trashy books 197, 6-3-16) Listen, or scroll down. Check out the archive for Smart Bitches, Trashy books. rewrite versus revise versus Edit (Valerie comer on the differences between rewriting, revising and editing, 4-11-13) On books: Visions and revisions (Part 1, Alison Parker, on An American Editor, 8-3-16) Alison compares a children's novella, sara Crewe, or, What Happened at Miss Minchins boarding School. Between the novella and the novel, burnett "was asked to turn the initial story into a play, which began its run a couple of years before she expanded her story into a novel." Parker uses the differences between the two works to bring the concept. heller McAlpin's review of Harper lee's novel 'go set a watchman' (San Fran Chronicle, 7-10-15) helpfully compares it to 'to kill a mockingbird which it became.
"When lee submitted the manuscript of Watchman to publisher. Lippincott in 1957, her editor, tay hohoff, astutely saw the germ of a better book in the childhood passages and suggested lee rewrite the novel from young Scouts point of view, set 20 years earlier, during the depression. Comparing Mockingbird — the result of two years of arduous revisions — with Watchman demonstrates clearly just how important a good editor can. Put simply, where mockingbird beguiles, dazzles and moves to tears as it conveys core values of empathy and human decency, watchman horrifies with its ugly racism, even as it emotes and moralizes didactically, clunkily and shrilly." A review worth reading, which may make you curious. On books: Visions and revisions (Part II) (Alison Parker, An American Editor, 8-15-16). About the recognition or revelation scene in drama — the anagnorisis: the point in the plot at which a character or characters recognize their or someone elses true identity or motives, or even the nature of their situation. The new Yorker Radio hour (Episode 7, The mayor and the mormon Church, and Roger Angell starting at minute 25, david Remnick talks to roger Angell about editing fiction at the new Yorker and about his story "This Old Man about aging and loss.
2017) How sensitivity readers are changing the publishing ecosystem—and raising new questions about what makes a great book. Albertalli totaled 12 sensitivity reads for her second novel on issues of lgbtq, black, korean American, anxiety, obesity, and Jewish representation. Some publishing houses provide their own sensitivity readers, particularly in genres—such as young adult literature—where the industry feels protective of its audience. The responses flow back to the author as part of the editorial process, and each reader earns a modest honorarium. The sensitivity reader is one more line of defense against writers tone-deaf, unthinking mistakes.
Why did the editor miss errors in your book? A realistic look at error rates in fiction, in particular. (Carolyn Haley, an American Editor, 6-11-18) every Writer needs an Editor, Especially If That Writer Is Also an Editor (Jessica Strawser, publishers weekly, 3-24-17) The editorial director of Writers Digest discusses how many revisions it took to get her novel ready for publication. i do not have to put Up With Editors making Demands on me (novelist Anne rice,"d by jack limpert on his blog, 5-17-18) Thinking Fiction: Indie-editor house Style, part One: Establishing Parameters (Carolyn Haley, an American Editor, 2-5-18) Editors: The baseline of establishing. Haley's references: Chicago manual of Style and Merriam-Webster's Collegiate dictionary, plus Garner's Modern American Usage (Modern English Usage in in its latest edition - a wonderful reference for writers, too). responding to vague editing Requests (Erin Brenner, copyediting, 3-16-18) What you need to know to respond, and how you can ask it, with a template for responding to inquiries from self-publishing fiction authors. a former Literary Agent on Plotting (Jason Black, on his blog Plot to punctuation, writes about Melissa c banczak's advice on plotting 8-29-16) romantic Editing (Adrienne montgomerie interviews three editors experienced editing romance genre: Jacquie doucette, lori paximadis, and Jessica Swift, copyediting, 2-13-17). She asks what errors they routinely look for and what resources one needs for editing romance.
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Editing and revising are crucial to good fiction writing, from shaping a compelling story to being sure the resumes character's name stays the same throughout (especially after you've changed it two or three times). See, however, and also, the subjectivity of editing fiction Thinking Fiction: First-novel Flubs and Follies (Carolyn Haley, an American Editor, 2-1-16) The twelve most common craft problems of beginner-novelists. Thinking Fiction to specialize or Generalize? (Carolyn Haley, an American Editor, 6-11-18) Haley writes about how she got started editing fiction, then upped her skills so she could work at a higher pay-rate; how then a "freelancer's famine' came and she strumbled while editing an academic nonfiction book. Her ruminations may help you pdf think through your own training needs and approaches to getting work you will feel good doing-make you aware of the many ways in which editing work can vary, and how loving the material may help determine whether you specialize. sensitivity readers: Is my novel Offensive? (Katy waldman, Slate, feb.
(Jane Friedman, Writer Unboxed, 3-19-10) kinds of editors/editing and favorite levels of edit (Writers editors blog) The doctor Will see you now (book doctor Lisa rojany-buccieri on what book doctors can and cannot do) make professional Editing Work for you (Allison k williams, The Writers Bloc. Editing is highly skilled labor. A good editor is a strong analytical thinker. They can say why your storyline isnt working and ask the right questions for you to realize how to fix. Alison offers good tips on how to strengthen your. So the editor has less to fix. for editors and publishing professionals (a full section on editing, generally-not just fiction, on Writers and Editors website) Editorially Speaking: How to find a book editor you can Trust (Blake atwood, The Write life, 1-24-17) What to Expect from a professional Critique (Margot Finke) see. Back to top "My pencils outlast their erasers." Vladimir Nabokov "If it sounds like writing, i rewrite." Elmore leonard Writers: be savvy about your most important partner in the process: your editor.
plot, problems with characters, etc., before hiring someone to edit sentence-by-sentence, as an editor for story structure might have you deleting or moving. So you probably don't want to hire for a copyedit until the main text is laid down. Efa's directory of editors helps you find editors who are experienced with fiction (indeed, experienced with different kinds of fiction, as editing a literary novel is quite different from editing a gothic or zombie-horror novel -each group of readers has different expectations). What Its Actually like to work with a book editor (Blake atwood, The Write life, 5-22-17). Should fiction writers hire editors? (Writer Beware's excellent links, including some of these: Should you pay someone to Edit your Work? (Nathan Bransform, agent-turned-author, 10-5-09 should i hire a freelance Editor? (agent Rachelle gardner, 3-25-10) Should you hire a professional Editor?
Mysteries, suspense, thrillers, and crime novels. Science fiction and fantasy, the difference between mysteries, suspense novels, and thrillers, romance novels and novelists. Erotic novels, historical fiction, graphic novels, types of story, plot. The synopsis, plots, story structure, narrative arc, conflict, and suspense. Setups and payoffs, openings and closings (best ledes-good first and last lines, plus transitions). Scenes: Show, don't tell, point of view, voice in margaret fiction. Creating interesting characters, description and settings, improving dialogue. Books on editing and revising fiction. Books for and about critiquing groups.
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Groups, sites, advice, and resources for fiction thesis writers, editors, readers, and fans (and in fiction these groups mix and mingle!). Editing and revising fiction, should you hire a professional editor? Organizations for fiction writers, critiquing and small writers groups. Online communities for fiction writers, blogs, websites, and online mags for literary fiction. Markets for novels, markets for short stories, short stories renaissance. Flash fiction, mFA literary fiction. Nyc, interviews with novelists and fiction writers plus interesting profiles and obituaries. Paris review interviews with fiction writers. Genre fiction and fiction genres and subgenres.